21st December, 1898
Huband-and-wife team The Curies discover radium. This was at a time of huge excitement over radiation - certain elements were discovered to be emitting more energy than existing scientific ideas could account for - but nobody knew that radiation was actually bad for you. It wasn't just radium (named after how radioactive it was) they discovered, Polonium (named after Poland, Maries home) was one they discovered just before.
These were exciting times; Becquerel had shown that uranium could give x-rays, not getting the energy from somewhere else, but actually getting the energy from the uranium itself. Marie showed that the energy was coming from the atoms of the uranium. As this went against everything known about energy transfer at the time, Marie was understnadably cautious that no-one would take her seriously, but at the same time was determined to get it out there as quickly as possible so that no other scientist would get the credit (and the race was on - interest in this field was, excuse the pun, hot).
Marie was instrumental in inventing a technique that made it easier to seperate the radium from radioactive residues, to pursue possible healing properties. Both the curies worked completely exposed to radium innocent to radiation poisoning, so they had no idea they were damaging their health. This probably had no significant effect on Pierre, who was killed on the 19th April 1906 in a street accident - he was run over by a horse, and fractured his skull. They had been co-rewarded the 1903 nobel prize, and Pierre had been given a proffesorship at the Sorbonne, but unfortunately he hadn't had long to enjoy it.
Marie was devastated, but she continued her work, suffering depression and kidney failure, because she felt that her work was important. In 1910, she finally succeeded in isolating pure radium. However, the radium choloride she and pierre first made together was used as a primitive cancer therapy, which is why she spent her life advocating radium and roadioactivity.
Back at the turn of the 20th century, radiation was almost magical, but scientifically proven, so people trusted it to have magical properties. It could cure cancer, depression, all kinds of problems; radium 'health' spas popped up. Water impregnated with radium sold by the expensive bottle. An American playboy, Ebers Myers, was advised by his doctor to drink radium water. There were plenty of frauds out there who sold normal water and just kidded on it was radium water, but Ebers was so rich that he could get hold of the real stuff. He died from jaw cancer. Radiation is deeply dangerous stuff. Because it glows in the dark (it produces its own light), radium in the form of paint was used on watches; women in the factories would lick the paintbrush to get a fine line, exposing themselves to radiation. Most of them died from various cancers, but - caught up in litigation - the manufacturers insisted they had syphilis. However, in the investigation it was found that management had taken the precautionary principle and protected themselves from exposure to radon.
However, at no point did Marie ever find out that her lifes work was damaging her. All that stuff was still in the future. She died from aplastic anaemia in 1934, almost certainly brought on by the decades of radiation exposure.She had carried test tubes containing radioactive isotopes in her pocket
and stored them in her desk drawer, remarking on the pretty light that the substances gave off in the dark. In fact, her notebooks are still so highly radioactive they are too dangerous for naked hands to handle, and portective clothing must be worn if you want to take them out of the lead-lined boxes.
Radon is a highly dangerous radioactive material. It has caused suffering. But Maries work was important. Radon was used to treat cancer, and who knows how long otherwise it might have taken for cancer therapies to go down that road, where they would almost certainly have used radon as well. To understand why atoms emit their own radiation spontaneously was an important step in understanding how our universe works. Her discoveries helped build a framework for other discoveries to be made in this field, and others, a faltering and clumsy perpetual drift of science towards the truth.
Wednesday, 21 December 2011
Friday, 2 December 2011
Chaplin, the Keystone years
Chaplin was a 1992
bio-pic about, well, Charie Chaplin. I watched it back in the early
90s and, although I liked the film, it did seem to reinforce the
prejudice I had that he wasn't really that funny. Then a few years
ago, I saw a great series of programmes on the BBC by Paul Merton on
the silent comedians, and I realised how wrong I was. And how wrong
this film was for not really explaining why he was as funny as he
was.
The film did make some
effort to explain the politicised nature of his films, but it gave
the impression that this was an internal thought of Chaplins, rather
than what everyone knew and commented on at the time and earned Chaplin acclaim from his peers - and, more importantly for an artist, the paying audience - which is a
shame because unless you understand that his films were popular and
funny because they had a political and social edge to them, then it
all just becomes a mess of pratfalls and tumbling.
The film uses a fairly
hackneyed approach to autobiographies, the dramatic flashbacks, as
Chaplin discussed his biography with a fictional book publisher
(played by Anthony Hopkins). Robert Downey Junior as Chaplin makes
the film on its own very watchable, and there's an excellent
supporting cast.
The movie gets stuff
mostly right, it's just that it doesn't explain enough for them to be
put into a context where the viewer can understand their
significances. He was sent to the workhouse and seperated from his
older brother, Sidney, his mother did have to be committed, he did
fall in love with a 16-year old dancer, and he did go to perform in
America.
Mabel Normand |
Also, of course, he
did get an offer to work at Sennets Keystone (of the Keystone cops) studios. He started in
1914 and leaving a year later with 34 shorts and one feature under
his belt. He was directed by Mabel Normand, which he hated (he hated
being directed in general and, well, this was 1914 and he almost
certainly was annoyed at being directed by a woman). One thing about
Mabel should be noted; in the movie she's portrayed as a spoilt brat
who is Mack Sennett's mistress, and she hated Chaplin.In reality,
while she was in a relationship with Mack, she was an accomplished
comedy actress from a stage-performing family who probably was the
one who convinced Sennett to keep Chaplin on when he initially
regretted hiring him and wanted to sack him. She seems to have been
an intelligent woman who died at an absurdly early age due to alcohol
abuse, at 37 (she didn't seem to be able to cope with the murder of a
close friend in the 1920s).
Movies weren't
anything like what we would recognise today. For one thing, actors
weren't billed in the credits or adverts, so when an actor/character
became popular, cinema managers couldn't ask for more stuff with the
famous guy in it, because they didn't have their name. So, instead,
they had to use descriptions of what they looked like (no talkies
back then).
Although Keystone was
an experimental playground in slapstick, that's to underestimate its
relevance to Chaplin and to cinema. Another thing they got right in
the film was how short and how cheap these movies were, but by
getting the slapstick into the one frame it developed a trend for
spectacle to be packed into the frame as much as possiblem, which is something that's been with hollywood ever since.
He invented the
costume whilst casting about in wardrobe for Mabels Strange
predicament (so the movie got that right), and it was the
Keystone films where his career in social and political commentary
began. Whilst being directed, he had bits where he got to make
authority figures look foolish, where he learned how to play this
contempt to a movie audience, but when he started to direct is where
he bloomed. The movie got that right, too. It's a shame they couldn't
have gone into more detail on this, as those movies are what got
audiences amused by him into audiences that made him into a cultural
icon.
Labels:
1920s,
Chaplin,
cinematograph,
film,
Mabel Normande,
Mack Sennet,
Sennet
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